Tag Archives: Yoshitaki

Kabuki & Sugoroku at Toshidama Gallery

Posted on April 30, 2021 by toshidama

Kabuki drama and therefore the woodblock prints that derive from the performances, are populated by Heroes and Villains. It is a simplistic view of the world, an escapism similar in many respects to the contemporary gaming that owes a great … Continue reading →

Posted in Edo, Japanese prints, japanese woodblock prints, kabuki theatre, Kunichika, Kunisada, Sugoroku, ukiyo-e, yakusha-e | Tagged , , , , , , , , | Leave a comment

Michael Knigin – and a Yoshitaki

Posted on March 17, 2021 by toshidama

The picture above is by the American print artist, Michael Knigin. Michael Knigin was a native of New York, a Professor at the Pratt Graphic Centre in New York and co-owner of the Chiron Press where he worked with Andy … Continue reading →

Posted in kabuki theatre, Osaka Prints, Pop Art, Screenprints, ukiyo-e, yakusha-e, Yoshitaki | Tagged , , , , , , , | Leave a comment

Male Tragedy in Japanese Prints

Posted on January 6, 2017 by toshidama

Kunichika, The Tokaido Road Kabuki Theatre and Japanese Woodblock prints… the defining cultural artefacts of nineteenth century Japan. It’s hard to think of anything else which recounts the daily and national struggles of a people more than these two linked … Continue reading →

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Japanese Prints and Their Place in the World – A Personal Appreciation by Alex Faulkner

Posted on October 2, 2015 by toshidama

Yoshitaki, Bando Hikosaburo and Arashi Rikan, 1850 It is five years since Toshidama Gallery made the decision to open an online, virtual exhibition space on the internet. In that time we have had nearly fifty dedicated and themed exhibitions, we … Continue reading →

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Osaka Prints – How They Were Made

Posted on November 21, 2014 by toshidama

Kunikazu, Actors with Dice Hats There exists a document which is a first hand account of the entire process of the theatre artist’s work from stage rehearsal to the final production of the woodblock print. Written by Kawasake Kyosen, the … Continue reading →

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Before and After Hirosada

Posted on January 31, 2014 by toshidama

Hirosada, Kataoka Gado as Hayana Kanpei There is a clear division in the design and the feel of Osaka prints that occurs at around 1840. This is in part due to the hiatus caused by the notorious attempts by the … Continue reading →

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The Brilliance of the Osaka School

Posted on March 9, 2012 by toshidama

Kunikazu, Soga Monogatari For many years the brilliance of the Osaka School woodblock artists of Japan has been occluded by their more popular and populous Edo cousins from the Utagawa School in what is present day Tokyo. Happily the situation … Continue reading →

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